Earth and Tide: Connected Through Place consists of a group of South Central Pennsylvania artists who gather to exchange ideas and expand art communities. With artists of multiple disciplines, including painting, printmaking and mixed media, our work runs the visual spectrum.
New Geometry: Abstract Invitational features artists Matt Allyn Chapman (Lancaster, Pennsylvania), Nick Hollibaugh (Sutton, Massachusetts), Brittany Nelson (Richmond, Virginia), and Rosalyn Richards (Lewisburg, Pennsylvania). This selection of works represents a range of artists utilizing basic geometric forms as the building blocks for their compositions.
Artists of all levels and abilities are invited to participate in a group exhibition of small works in the Susquehanna Art Museum’s historic bank vault! Because the original bank vault walls are lined with steel, submissions are created on magnetic templates.
Quartet for America features new works, which continue Anderson’s exploration of organic forms found in nature, but the paintings on view focus more narrowly on drawing inspiration from piled cut branches, resulting in an intricate interwoven pattern of the irregular linear grid.
Ansel Adams (1902-1984), photographer, musician, naturalist, explorer, critic and teacher, was a giant in the field of landscape photography. His work can be viewed as the end of an arc of American art concerned with capturing the “sublime” in the unspoilt Western landscape. This tradition includes the 19th century painters Albert Bierstadt, Thomas Cole and Thomas Moran, and the 19th century photographers Carleton Watkins, Timothy O’Sullivan and William Henry Jackson.
The abstracted landscapes of artist Vu Q. Nguyen are inspired by the Mekong River Delta region of Vietnam, where he was raised. The Mekong River Delta is where 22% of the country’s population lives and the source of approximately half of the country’s food production. Rising sea levels present a challenging environmental obstacle for agriculture […]
Paintings by Robert Andriulli, whether created from direct observations or studio elaborations that evolve from many sources, are recognizable for their painterly realism that depicts both a fidelity to subject and an uncommon visual style.
This selection of prints from John Szoke Gallery features etchings, lithographs, drypoint, charcoal, and woodcuts from the iconic Norwegian painter and printmaker.
Morgan Ford Willingham’s investigation of motherhood considers the identity of parent and child, and weighs the influence of nature versus nurture. Willingham manipulates found textiles using photography and hand embroidery techniques.
"Dōshi Spotlight" features ceramics by Beverlee Lehr, works on paper by Jo Margolis, and oil paintings by Mary Hochendoner.
The quilts presented in this exhibition are graphically striking examples that embody a sense of “wall power.”
