Quartet for America features new works, which continue Anderson’s exploration of organic forms found in nature, but the paintings on view focus more narrowly on drawing inspiration from piled cut branches, resulting in an intricate interwoven pattern of the irregular linear grid.
Ansel Adams (1902-1984), photographer, musician, naturalist, explorer, critic and teacher, was a giant in the field of landscape photography. His work can be viewed as the end of an arc of American art concerned with capturing the “sublime” in the unspoilt Western landscape. This tradition includes the 19th century painters Albert Bierstadt, Thomas Cole and Thomas Moran, and the 19th century photographers Carleton Watkins, Timothy O’Sullivan and William Henry Jackson.
The abstracted landscapes of artist Vu Q. Nguyen are inspired by the Mekong River Delta region of Vietnam, where he was raised. The Mekong River Delta is where 22% of the country’s population lives and the source of approximately half of the country’s food production. Rising sea levels present a challenging environmental obstacle for agriculture […]
Paintings by Robert Andriulli, whether created from direct observations or studio elaborations that evolve from many sources, are recognizable for their painterly realism that depicts both a fidelity to subject and an uncommon visual style.
Special FX features works that explore pattern, optical illusion, and the art of dazzlement. Beginning in March 2019, this exhibition will travel to schools and events throughout the region onboard the VanGo! Museum on Wheels.
This selection of prints from John Szoke Gallery features etchings, lithographs, drypoint, charcoal, and woodcuts from the iconic Norwegian painter and printmaker.
Morgan Ford Willingham’s investigation of motherhood considers the identity of parent and child, and weighs the influence of nature versus nurture. Willingham manipulates found textiles using photography and hand embroidery techniques.
"Dōshi Spotlight" features ceramics by Beverlee Lehr, works on paper by Jo Margolis, and oil paintings by Mary Hochendoner.
The quilts presented in this exhibition are graphically striking examples that embody a sense of “wall power.”
