Project: Pattern is the first exhibition to be featured in SAM’s new Project Space. This multimedia display includes photography, painting, sculpture, and installation with work by artists Nate Ethier, Nicole Herbert, and Luke Murphy.
With this installation, visitors are challenged to locate “hidden” works of art the Susquehanna Art Museum. You may not realize something is a work of art until you read the label. Even then, is it?
Circle of Truth: 49 Paintings Ending with Ed Ruscha is the visual equivalent of the childhood game in which a message is whispered in the ear of a first person, then relayed to a second person, a third, and so on.
Meanderings features a collection of collagraphic prints by artist Valerie Dillon. With these pieces, the artist illustrates her journey of shifting between known and unknown spaces.
Mobility and Movement traces Isabel Bishop’s career exclusively through her printmaking. It also illustrates the customs and terminology of print editions.
Artists Sandi Neiman Lovitz and Autumn C. Wright utilize gesture, shape, pattern, and spontaneity to create the abstract compositions featured in Unpredictable Nature.
Susquehanna Art Museum will be open with free admission 12 - 5pm Sunday, September 12 for the Annual Harrisburg Gallery Walk!
Susquehanna Art Museum’s 9th annual juried exhibition invited artists to submit works that explore subjects relating to the domestic. In a time when social, political, and familial norms are being revealed and renegotiated on an international scale, the term ‘domest...
This selection of prints from John Szoke Gallery features etchings, lithographs, drypoint, charcoal, and woodcuts from the iconic Norwegian painter and printmaker.
Morgan Ford Willingham’s investigation of motherhood considers the identity of parent and child, and weighs the influence of nature versus nurture. Willingham manipulates found textiles using photography and hand embroidery techniques.
"Dōshi Spotlight" features ceramics by Beverlee Lehr, works on paper by Jo Margolis, and oil paintings by Mary Hochendoner.
The quilts presented in this exhibition are graphically striking examples that embody a sense of “wall power.”