Calendar

Many Visions, Many Versions: Art from Indigenous Communities in India highlights work by contemporary artists from four major indigenous artistic traditions in India.

Enticed by touch, four artists explore a wide range of materials and processes linked through craft and meaning. With a shared focus on encaustic (pigmented hot wax) FLASHPOINTS: Material / Intent / Fused beautifully underscores where material and intent converse and fuse.

The 100th anniversary of the formation of the Negro National Baseball League is especially important to Harrisburg thanks to the proud history of the Harrisburg Giants.

Sonic experience has long been a powerful influence on artistic expression. Practicing the visualization of music helped Modernist artists break free of traditional subject matter and begin to think abstractly.

The photographs in this exhibition were created as part of a course at Millersville University titled Picturing the Body.  Throughout the semester students were asked to explore topics relating to people, portraiture and the human form. 

Historic Memory features the work of painters Joerg Dressler and Shawn Huckins. Dressler and Huckins address the collective, or historic, memory of Western culture and its influences on our contemporary consciousness.

The Modernists: Witnesses to the 20th Century, curated by the Susquehanna Art Museum, features works by a variety of Modern artists from around the world, drawn from museum and private collections across the United States.

In Once a Future Kingdom, Anthony Cervino presents a series of recent works, created with both found and sculpted materials, that are displayed as imagined relics.

Country Charm examines artist Sanh Brian Tran’s experience as a queer Asian man living in rural America.

Sun + Light is a collection of works from the series Everyone Loves the Sunshine by contemporary visual artist Charles Edward Williams. The artworks featured in Sun + Light juxtapose Williams’ own personal encounters, past and present, with the Civil Rights movement of the 1960s. Here, Williams attempts to strike a balance between both the peaceful and violent protests of the movement and of varied expressions of power. He recounts stories told to him by his grandmother about this specific period in U.S. history and about the belief she passed down to him and that would guide his work: “stay in the light, stay positive.”