In the Grass, With a Baby features paintings and drawings by Lee Nowell-Wilson that embody the tension between the mundane and divine that is embedded within her experience as a mother.

Kate Stewart’s current creative practice finds connections with research on brain activity during various states of consciousness, specifically the theta state of the brain during meditation, REM sleep and hypnosis.

During her lifetime, Patricia L. Murray served as one of the founders of the Susquehanna Art Museum (SAM), a donor to the institution, an educator, and a private art collector. Just recently, in 2023, parts of her collection were donated to SAM posthumously, highlighting her dedication to the museum before, during, and after its creation. From Mantel to Museum: The Eclectic Legacy of Patricia L. Murray showcases an eclectic mix of artistic styles, form and thematic content by local and regional artists.

Cocoon is an illuminated sculpture surrounded by portraits from Steelton, PA. Viewers are invited to walk through the sculpture and hear the stories of the Steelton community. The stories come from Kate Browne’s interviews that focus on the reality of living in a small town with a single-industry economy where jobs have shrunk considerably since the 1950s.

I’m fine., a phrase we often say when we are not fine, is a statewide Pennsylvania community project dedicated to sculpting mental health awareness and conversations through art. This meaningful exhibit features ceramic masks, stories, and photographs from I’m fine. workshop and residency participants.

Through material transformation and positioning of objects that wield the body, Kiani Kodama explores silent exchanges between that which is human, animal, and ancestral. Guided by non-Western medicine, massage tools, Buddhist dance rituals, and organic materials, she finds correspondence in anomalous places.

Portraits of Identity: HAAPI Stories Through the Lens, uses storytelling and photography to explore the depth and breadth of AAPI stories and create an experience where they are seen, heard, and celebrated.

There is an encaustic revival as a contemporary art medium in the 21st century. This exhibition features a group of twelve women artists who use the medium in various ways, utilizing the encaustic tradition in conversation with contemporary sculpture, painting, photography and collage.

Comprising 67 spectacular works of art, Memories & Inspiration: The Kerry and C. Betty Davis Collection of African American Art is the culmination of a 35-year journey into a realm that few have explored with such passion and dedication—the world of art and art collecting.

Photographer Mark Perrott has spent the past several decades documenting the ever-expanding group of tattooed Americans. Perrott turns his camera to the diminishing population of highly decorated and graying Americans in his current series, ANCIENT INK.

Margins and the Height of the Sun is comprised of a body of work Elaine Elledge created as she worked to find balance between her life as an artist and full-time parent, while also seeking a diagnosis for an unknown medical condition. Using everyday items such as cheesecloth, gauze, paper, and fabric, her work explores the depth and complexity of motherhood, the frailty of the human body, and what it means to cultivate through care and relinquish control.

Queremos Justicia uses art to tell the story of how the Shut Down Berks Coalition organized to close an immigrant prison. This multimedia exhibit explores the art made for the campaign and how it played an invaluable role in education, mobilization, and community building.