The Modernists: Witnesses to the 20th Century, curated by the Susquehanna Art Museum, features works by a variety of Modern artists from around the world, drawn from museum and private collections across the United States.
In Once a Future Kingdom, Anthony Cervino presents a series of recent works, created with both found and sculpted materials, that are displayed as imagined relics.
Country Charm examines artist Sanh Brian Tran’s experience as a queer Asian man living in rural America.
Sun + Light is a collection of works from the series Everyone Loves the Sunshine by contemporary visual artist Charles Edward Williams. The artworks featured in Sun + Light juxtapose Williams’ own personal encounters, past and present, with the Civil Rights movement of the 1960s. Here, Williams attempts to strike a balance between both the peaceful and violent protests of the movement and of varied expressions of power. He recounts stories told to him by his grandmother about this specific period in U.S. history and about the belief she passed down to him and that would guide his work: “stay in the light, stay positive.”
With this installation, visitors are challenged to locate “hidden” works of art the Susquehanna Art Museum. You may not realize something is a work of art until you read the label. Even then, is it?
Susquehanna Art Museum’s 9th annual juried exhibition invited artists to submit works that explore subjects relating to the domestic. In a time when social, political, and familial norms are being revealed and renegotiated on an international scale, the term ‘domest...
This selection of prints from John Szoke Gallery features etchings, lithographs, drypoint, charcoal, and woodcuts from the iconic Norwegian painter and printmaker.
Morgan Ford Willingham’s investigation of motherhood considers the identity of parent and child, and weighs the influence of nature versus nurture. Willingham manipulates found textiles using photography and hand embroidery techniques.
"Dōshi Spotlight" features ceramics by Beverlee Lehr, works on paper by Jo Margolis, and oil paintings by Mary Hochendoner.
The quilts presented in this exhibition are graphically striking examples that embody a sense of “wall power.”