Closed Easter Sunday
SAM is closed to the public on Sunday, March 31 for the Holiday.CalendarEvent DetailsDate: March 31, 2024
SAM is closed to the public on Sunday, March 31 for the Holiday.CalendarEvent DetailsDate: March 31, 2024
SAM is closed to the public Saturday, May 25 through Monday, May 27 for the holiday weekend.CalendarEvent DetailsDate: May 25 - May 27, 2024
SAM is closing at 5pm on Friday, November 15th for a private event. SAM will be closed during Third in the Burg. We thank you for your understanding.CalendarEvent DetailsDate: November […]
SAM will close at 5pm on Wednesday, November 27. Thank you for understanding.CalendarEvent DetailsDate: November 27, 2024
SAM is closed to the public on Thursday, November 28 for the Holiday.CalendarEvent DetailsDate: November 28, 2024
SAM is closed on Wednesday, December 25 for the Holiday.CalendarEvent DetailsDate: December 25, 2024
SAM is closed on Wednesday, January 1 for New Year's Day.CalendarEvent DetailsDate: January 1, 2025
SAM will be closed on Sunday, April 20, 2025.CalendarEvent DetailsDate: April 20, 2025
The quilts presented in this exhibition are graphically striking examples that embody a sense of “wall power.”
Lou Schellenberg invites viewers to respond to patterns of habitat and change in small towns, suburbs, and rural communities and to the human story behind every dwelling and built boundary.
Morgan Ford Willingham’s investigation of motherhood considers the identity of parent and child, and weighs the influence of nature versus nurture. Willingham manipulates found textiles using photography and hand embroidery techniques.
"Dōshi Spotlight" features ceramics by Beverlee Lehr, works on paper by Jo Margolis, and oil paintings by Mary Hochendoner.
The quilts presented in this exhibition are graphically striking examples that embody a sense of “wall power.”
Lou Schellenberg invites viewers to respond to patterns of habitat and change in small towns, suburbs, and rural communities and to the human story behind every dwelling and built boundary.
Morgan Ford Willingham’s investigation of motherhood considers the identity of parent and child, and weighs the influence of nature versus nurture. Willingham manipulates found textiles using photography and hand embroidery techniques.
"Dōshi Spotlight" features ceramics by Beverlee Lehr, works on paper by Jo Margolis, and oil paintings by Mary Hochendoner.
The quilts presented in this exhibition are graphically striking examples that embody a sense of “wall power.”
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