There is an encaustic revival as a contemporary art medium in the 21st century. This exhibition features a group of twelve women artists who use the medium in various ways, utilizing the encaustic tradition in conversation with contemporary sculpture, painting, photography and collage.
Comprising 67 spectacular works of art, Memories & Inspiration: The Kerry and C. Betty Davis Collection of African American Art is the culmination of a 35-year journey into a realm that few have explored with such passion and dedication—the world of art and art collecting.
Photographer Mark Perrott has spent the past several decades documenting the ever-expanding group of tattooed Americans. Perrott turns his camera to the diminishing population of highly decorated and graying Americans in his current series, ANCIENT INK.
Margins and the Height of the Sun is comprised of a body of work Elaine Elledge created as she worked to find balance between her life as an artist and full-time parent, while also seeking a diagnosis for an unknown medical condition. Using everyday items such as cheesecloth, gauze, paper, and fabric, her work explores the depth and complexity of motherhood, the frailty of the human body, and what it means to cultivate through care and relinquish control.
Susquehanna Art Museum’s 9th annual juried exhibition invited artists to submit works that explore subjects relating to the domestic. In a time when social, political, and familial norms are being revealed and renegotiated on an international scale, the term ‘domest...
This selection of prints from John Szoke Gallery features etchings, lithographs, drypoint, charcoal, and woodcuts from the iconic Norwegian painter and printmaker.
Morgan Ford Willingham’s investigation of motherhood considers the identity of parent and child, and weighs the influence of nature versus nurture. Willingham manipulates found textiles using photography and hand embroidery techniques.
"Dōshi Spotlight" features ceramics by Beverlee Lehr, works on paper by Jo Margolis, and oil paintings by Mary Hochendoner.
The quilts presented in this exhibition are graphically striking examples that embody a sense of “wall power.”