Collage Philadelphia Presents: Tactile Shift

Collage Philadelphia Presents: Tactile Shift showcases three collage artists in the Philadelphia area, each pushing the boundaries of the cut-and-paste tradition. Utilizing found images, photography, or handmade papers, each artist physically manipulates the materials to bring new meaning to existing imagery.

These works by Jason Chen, Jake Dombroski, and Florence Weisz highlight the transformative quality of collage and the versatility of the medium.

This exhibition is presented in partnership with Collage Philadelphia, a collective of collage artists in the region which works to host exhibitions, facilitate workshops, and celebrate collage as an art form. To visit Collage Philadelphia’s website, click here.

Jason Chen is from Guangzhou, China. He is a Photographer specializing in Fashion, Editorial, and Alternative Process Photography. After he received his BFA in Animation from the Universi¬ty of Arts in 2008, he Co-founded Paradigm Gallery + Studio and Juggling Wolf. In 2012, Jason shifted his dry plate tintypes practice to photo weaving. He began using two images taken within seconds of each other, then cut and wove them together. Because of his background in film and animation, Jason explore ways to incorporate the “Fourth Dimension” – Time – into his work. Photo weaving allows him to do this by exploring movement and mutation.

Jake Dombroski is a Philadelphia-based artist working in collage, painting, and mixed media. His work moves fluidly across thematic series, often grounded in found materials and visual contradiction.With a background in advertising, Dombroski developed a deep appreciation for vintage print ephemera and a sharp understanding of the psychological power of imagery. This dual lens informs his practice—blending nostalgia and critique to create layered, subversive compositions that reframe the familiar and challenge viewers in unexpected ways.Outside the studio, he is a husband and father of two.

Florence Weisz has been a collagist for over four decades and is pleased to be part of the Philadelphia art community. She has exhibited her art with InLiquid (a 40 year retrospective), CFEVA, DaVinci Art Alliance, ARTsisters, Tri-State Artists Equity, Collage
Philadelphia among other organizations and venues. Most recently her work was chosen for The Delaware Contemporary Museum, where her site-specific installation, Stripes Escape, filled the museum’s Draper Gallery for four months in 2023. Her three-part collage installation was juried into the Art of the State – 2024 exhibition at the State Museum of Pennsylvania in Harrisburg.

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Exhibition Details

Date:  August 27, 2025 – November 30, 2025

Gallery: Pollock Foundation Education Center Gallery

Jason Chen
“The work I create is an exploration of my insecurities and the feeling of duality. Two decades ago, I came to America as an immigrant. I adopted a new name for the convenience of the English speakers around me and so I would feel like less of an outsider. For many years, I was willing to lose my identity to feel more included. After studying Film and Animation in college, I began to reconnect with my past and try to understand my potential future. Although I can comfortably call this place my home, I still can’t help but feel unwelcome during difficult times in our country. This feeling pushes me to create. The artwork itself is cut and woven by hand. I believe a physical connection to the materials adds a layer of personality to the work, even if it has flaws. I use the weaving process to deconstruct and reconstruct images to create a sense of time and movement. Sometimes I think that if I stand at just the right angle, I can gaze into the sliver between two parallel universes to see the distortion of time and motion. I imagine it much like a video glitch in-between frames.”  
Jake Dombroski
“I use collage, assemblage, and painting to explore the power of imagery and material. Drawing from vintage magazines, discarded packaging, and found objects, I build compositions that balance intentional structure with spontaneous experimentation. Each piece starts with instinctive collecting and evolves through layered juxtapositions of image and texture. My work invites viewers to reconsider their definitions of art and beauty—challenging assumptions while celebrating the overlooked. With a sensibility that’s both playful and critical, I aim to create visually compelling pieces that reward close attention and layered interpretation.”    
Florence Weisz
“I love collage in all its forms. Over the last twelve years, I have been exploring the aesthetic potential of STRIPES. To date, I have created over 100 compositions just about stripes, in ongoing 2-D and 3-D series. My collage materials include details from photographs I take of people wearing striped clothing. I am intrigued by the abstract power of multiple striped patterns seen together. I am fascinated by how the rigid patterns of parallel lines can appear organic and sensuous. These images from my Inked Growth Series are abstract collages consisting of three layers. Each work starts with a closely cropped detail of a person wearing stripes. I place this square photo in the exact center of the composition, and then continue its stripes with hand drawn India ink or acrylic lines on mylar. I position my alcohol ink papers along with Asian papers beneath the transparent mylar surface to reflect and extend the central image. Finally, I unite all the layers into a single composition.”      

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