Explore: Printmaking Techniques presents a grouping of prints by four contemporary artists, each employing a different mode of printmaking.
Covering lithography, drypoint, chine collé, collagraph, and woodblock printing, the exhibition highlights the persistence of printmaking as a practice, and the way artists have embraced historic techniques while utilizing contemporary color, imagery, and materials.
These works by Cameron Bailey, Becky Blosser, Rachel Mentzer, and Junli Song showcase each artist’s unique process, while honoring the long-standing traditions of printmaking.
Learn more about the featured printmaking techniques below.
Chine collé: a technique in which thin paper is bonded with a support paper by being run through the press with the printing plate (MoMA)
Collagraphy: a technique in which objects or textured materials are adhered to a rigid surface, which is then inked and pressed to create a print
Drypoint: an intaglio printmaking process in which a design is drawn on a plate with a sharp, pointed needle-like instrument (Tate)
Lithography: a planographic printmaking process in which a design is drawn onto a flat stone (or prepared metal plate, usually zinc or aluminum) and affixed by means of a chemical reaction (The Met)
Mokuhanga: traditional Japanese woodblock printing, utilizing water-based inks
Plan Your Visit
Exhibition Details
Date:Â August 19, 2026 – November 8, 2026
Gallery: Pollock Foundation Education Center Gallery
Cameron Bailey
Cameron Bailey is an artist and printmaker specializing in water-based woodblock printmaking. He studied painting at the Maryland Institute College of Art and began printmaking in 2016. Primarily working in a multi-layer reduction technique, Bailey fuses inspiration from German Romanticism, American Tonalism, and Japanese Shin-Hanga to create evocative landscapes and portraits that continue a tradition of cross-cultural dialog between Western and Eastern aesthetics. Utilizing traditional Japanese printmaking tools and materials, he brings a contemporary approach to a time-honored craft. He has shown in multiple group shows and his work is held in private collections across the world.
Becky Blosser
Becky Blosser (born 1981, Harrisburg PA, lives in Lancaster, PA) received an MFA in Fine Arts from Mason Gross School of The Arts at Rutgers University in 2007. In her work, through process and printmaking, Blosser explores drawing, invention and formal language connecting structural shape and natural form. She exhibits her work both nationally and within her local community. In 2024, Ms. Blosser’s work was included in Art of the State at the Pennsylvania State Museum in Harrisburg. In 2021, her work was included in 95th Annual International Competition at The Print Center in Philadelphia PA. Blosser’s works have also recently been exhibited at the Demuth Museum in Lancaster PA, at Elizabethtown College, Millersville University, Paducah College of Art and Design in Kentucky, and in the MAPC Member’s Exhibition at University of Iowa. Her work is included in collections at the Zuckerman Museum of Art, Kennesaw GA, and the Janet Turner Print Museum, Chico CA. Becky is currently an Assistant Professor and Chair of the Fine Art Department at Pennsylvania College of Art and Design in Lancaster, Pennsylvania.
Rachel Mentzer
Rachel Mentzer is an Ohio-based printmaker recognized for her eco-conscious approach to collagraph printmaking with chine collé. She transforms discarded boxes into intricate collagraph plates, carving layers of cardboard to create functional printing surfaces. Using intaglio techniques and Kozo papers for chine collé, she creates prints that explore themes of sustainability, impermanence, and environmental renewal. Mentzer received an Individual Excellence Award from the Ohio Arts Council in 2025. Her work has been exhibited at the Ohio Arts Council’s Riffe Gallery and the Ohio State Fair Fine Arts Exhibition, where she was awarded Best in Show in 2023, and has been included in national and international exhibitions. She has completed artist residencies including Port Austin AIR in Port Austin, Michigan, and the Suzanne Wilson Artist-in-Residence Program in Glen Arbor, Michigan. Her prints invite viewers to reconsider their relationship with the environment. The layering of ink and paper creates a tactile experience that blurs the line between fragility and permanence, highlighting nature’s resilience and its ability to reclaim human-made spaces.
Junli Song
Junli Song grew up in Chicago, but lived abroad from 2012-2018 in South Korea, England, Italy, and South Africa. Her studies are similarly widespread: she originally majored in economics and international development at the University of Chicago and the University of Oxford, respectively, before returning to the creative path. She completed her MFA at the University of Arkansas with a concentration in printmaking in 2023, and was then selected as the Grant Wood fellow in printmaking at the University of Iowa later that year. She is currently the 2024-2026 Gaius Charles Bolin fellow in the studio art department at Williams College. Song has been selected for artist residencies including the Vermont Studio Center, Wassaic Project, and the Women’s Studio Workshop. As an artist and storyteller, she works across a range of media including printmaking and installation to explore imagined worlds and personal mythologies.
Events
Third in the Burg
Friday, August 21, 2026
5:00 – 8:00 pm
Free Admission
38th Annual Harrisburg Gallery Walk
Sunday, September 13, 2026
12:00 – 5:00 pm
Free Admission
Third in the Burg
Friday, September 18, 2026
5:00 – 8:00 pm
Free Admission




